Works which will be taught by the faculty:

Suzanne Stephens (clarinet, basset-horn, bass clarinet)
and Kathinka Pasveer (flute, alto flute, piccolo)
will be teaching all Stockhausen works composed for their respective instruments. A free work list for each of the instruments men tioned above may be ordered from the Stockhausen-Verlag, 51515 Kuerten, Germany.

Marco Blaauw (trumpet, piccolo trumpet, flugelhorn): ARIES,TIERKREIS, IN FREUNDSCHAFT, MICHAELS-GRUSS, MICHAELs REISE, HALT, MISSION und HIMMELFAHRT, VISION, OBERLIPPENTANZ, PIETÀ, TRUMPETENT, MICHAELION, BASSETSU-TRIO,QUITT, LICHT-BILDER, HARMONIEN.SCHÖNHEIT, ERWACHEN

Stuart Gerber (percussion): SCHLAGTRIO*, ZYKLUS, REFRAIN*, KONTAKTE*, NASENFLÜGELTANZ*, KOMET, VIBRA-ELUFA, MITTWOCH-FORMEL, HIMMELS-TÜR.

Frank Gutschmidt (piano): KLAVIERSTÜCKE I–XIV, MANTRA, EXAMEN, STOP and START, SONNTAGS-ABSCHIED, NATÜRLICHE DAUERN.

Nicholas Isherwood (bass): SIRIUS, CAPRICORN, AM HIMMEL WANDRE ICH, KINDHEIT, ARGUMENT, LUZIFERs TRAUM, LUZIFERs ZORN, ANTRAG, ZUSTIMMUNG, UD, HAVONA.

Benjamin Kobler (piano): KREUZSPIEL, KLAVIERSTÜCKE I–XI, SCHLAGTRIO*, REFRAIN*, KONTAKTE *, MANTRA, DER KINDERFÄNGER, STOP and START, SONNTAGS-ABSCHIED, NATÜRLICHE DAUERN.

Hubert Mayer (tenor): TIERKREIS, KINDHEIT, MONDEVA, EXAMEN, DRACHENKAMPF, ARGUMENT, VISION, DIE 7 LIEDER DER TAGE, MICHAELION, LICHTER–WASSER, ENGEL-PROZESSIONEN,DÜFTE–ZEICHEN, LICHT-BILDER, HIMMELFAHRT, JERUSEM.

Antonio Pérez Abellán (synthesizer and piano): SYNTHI-FOU (KLAVIERSTÜCK XV), KLAVIERSTÜCKE XVI, XVII (KOMET), and XVIII (MITTWOCH-FORMEL) , NASENFLÜGELTANZ*, HIMMELFAHRT and all other works with synthesizer; REFRAIN*, KONTAKTE*, NATÜRLICHE DAUERN.

* These works will be taught jointly by Stuart Gerber, Antonio Pérez Abellán and Benjamin Kobler.

Alain Louafi: INORI-gestures. This course is important for all participants, because through the synthesis of music and gesture in Stockhausen’s work since INORI, new composition forms, notations and, above all, new scenic rituals come into being. The INORI classes will take place in the mornings, to enable interpreters who participate in the afternoon instrumental master classes to also attend this course.